ANYTHING, by itself or in combination, can be defined as a clipping and then just be dragged and dropped from anywhere to anywhere. And doing this in split-second speed by using custom key commands I can easily define in the above mentioned command window.Ĭlippings (not to be confused with the new clips) - in windows for project or whole app and on desktop Like that particular section of plugins with the settings? Just drag to the desktop and drag back into whatever project you want. Track Selector and shortcuts - navigating the display of my 400+ tracks by type, data content, and being able to do that in sub-sections by judicious use of folders. And when I go to a different place, the window with teh buss assignments lets me reassign things globally without having to manually reassign each track individually. And now that VE Pro exists, I use the V-Rack in conjunction with it for even more powerful flexibility.īundles, saved w project - name busses whatever you like in each project Bus 3-4 will be my strings buss in this project, my drums buss in the other. V-Rack - allows for instantaneous switching between multiple cues in a single project, without waiting for load times allows me to create a mixing board with settings and effects to print stems that I can then share in seconds between projects via the load command. Want that entire string section with the theme available, including MIDI, instruments, effects, you name it? Select, then "create sequence from selection" then import into any project anytime via load command. And speed makes for less thinking about technical issues and more flow in music.Ĭhunks - allows for multiple cues, for storage, for versions, for safety, for transfer of entire cues or sections between projects in seconds. My commands are highly customized, which makes for speed. And to create key commands for the ones you use. Some of these functionalities are available in some but not all other DAWs, others are not available anywhere else - and this mix is of course unique to DP:Ĭommands window - to quickly add, customize, or even look up commands. Here's my personal list of things I find that DP does better than either most or all other DAWs. Plenty of media composers use DP - in addition to Danny Elfman, there's Michael Giacchino, Alexandre Desplat, Miriam Cutler, Bear McCreary, Austin Wintory, Mark Watters, David Schwartz, Marcelo Zarvos, Joel Goodman, Brian Ralston, Greg Tripi, Garry Schyman, etc. Haven't been here in a long while, forgot about a certain, erm, culture. Mostly though it should make this bug go away in Safari, Facebook, and DP. Believe me when you do your own calibrations you will go back to the standard one and go "WTF were they thinking?" It goes through a bunch of tests that get it right for the angle you work at and room lighting level even. I remember this being buried the way they buried the User Library, and that's it! Hit Option when you hit calibrate and it brings up all the detailed settings that were there before. I have sent tech support requests to both MOTU and LG now.so we'll see if I can get somewhere with this. Everything else doesn't seem to have a problem, but who knows what other little things out there might be hogging my CPU with bit calculations that I'm not even aware of.maybe more. works with most software fine, but apparently, Safari Facebook has a problem, Mercurial Spark has a problem and DP10 has a problem. The monitor provides an optimized color profile for this display. I have no idea how to dive deeper and create another color profile, this is not something I know anything about. The calibrate button in OSX Mojave only allows me to change the white balance.which either makes it redder or bluer, but does not adjust contrast or anything else, which is all FUBAR when using AppleRGB.
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